Creative Director at Thinc, an exhibition and museum design studio in New York City. Formerly Partner in award-winning architecture practice Feilden Clegg Bradley Studios, London.
My role as Creative Director at Thinc Design is to serve each project and to serve the staff as powerfully as I can. Like an orchestral conductor or a magazine editor, it's my job to champion a project or a big idea, set the direction of travel, and then to hold the vision in place when it is buffeted by any number of storms. All the while, I'm fundamentally aware of the needs of the audience, the aspirations of the client, the skills of the team and the bigger sense of purpose at the heart of the project. I love the combination of rigour, clarity and outlandish imagination needed to wrangle an unwieldy mash of ideas and designs into a powerful experience - whether filmic or spatial.
My skills and expertise have grown through many years of working in creative environments: first in theatre and television, later in architecture and design. Buildings and spaces tell stories too: form, volume, light, materials and surfaces, and the relationships between all of these, are like so many characters and plot-lines in a great film or novel. So architecture and film have more in common than you might think, and for me the bridge has been to find the essence of a good story in all of them.
It’s a much-used term these days, but powerful storytelling can change people’s lives - for good or ill, depending on the integrity of the narrator. Throughout 25 years of playing with story in film and architecture, I have developed an enduring respect for its structures, a deep intuition for its powers, and a strong defense of how and when it should be applied. My passion is to find the universal connection in each story I tell. To create a story that has boots on.
For a description of a range of film, architectural and curated projects please visit the Project page.